Say it Isn't PicasSo - Paris Art Theft Raises Security and Title Concerns

A major art heist this past week raises considerable issues regarding art security and title. At the Paris Museum of Modern Art, a brazen thief made off with five paintings, valued together in excess of $120 million. The masked intruder's plunder included significant works by Picasso, Matisse, Braque, Modigliani and Léger. Officials in Paris decried the theft as a devastating loss to the art world that demonstrated serious lapses in the museum's security system. For instance, the thief had only to break a window and smash a grill's padlock to gain access to the museum’s priceless collection. What is more, even though there were security officers on duty at the museum at the time of the theft, they witnessed nothing. The museum's security camera did yield an image of the thief, but it is not yet known whether any of the culprit’s features are discernable enough to provide investigators with any useful leads. Alarmingly, this is the second time in less than a year that a significant work of art has been stolen in France. The last theft, which involved a Degas pastel valued at nearly $1 million, was stolen from the Cantini Museum in Marseille.
 

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Fine Art Prints in California: Having the Right Paper Matters

In recent years, the production of multiples from an original work of art, especially fine art prints, has become a major business in the art world.  What distinguishes a mere poster from a valuable, collectible, fine art print, is usually the scarcity and quality of the work in question. In other words, prints that are produced using high quality materials, hand signed by the artist, and sold in a limited edition are likely to be more collectible (and thus have higher resale values) than posters that are produced using low quality, inexpensive materials, unsigned by the artist, and ubiquitous.
 

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Possessing Peace of Mind

Art title insurance addresses one of the most pressing issues facing the art world.  The application and underwriting process is timely, straightforward and efficient:  the auction house conducts its research, ARIS conducts an independent review, the client is quoted the premium cost, and the policy is issued in favor of the seller, the buyer or both.  Title insurance increases the liquidity and value of art in the marketplace because policies eliminate doubt and exposure to title claims.

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Posted with permission from ARIS Corporation.

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Court Says Don't Rely on Fortune Cookie for Art Valuation

Beware of "fortune cookies" for advice, even when it's not the kind you crack, read, and eat. Just ask Najung Seung, who claims that Mary Dinaburg, a partner at gallery Fortune Cookie Projects, duped her into buying a Julian Schnabel painting entitled Chinkzee for a price three times its market value.  Initially, Seung paid Dinaburg $118,000 for a John Wesley painting entitled Bulls and Bed, only to discover that Dinaburg had sold the painting to someone else.  Rather than returning the payment, Dinaburg offered Seung a $200,000 credit towards the purchase of Chinkzee at the "gallery" price of $380,000, and further represented the painting was worth at least $500,000.  But Seung soon learned that Chinkzee had been sold months earlier at an auction for $156,000 based on an estimate price range of only $60,000 to $80,000, and that the market value was no more than $110,000.  As a result, Seung filed suit against Fortune Cookie Projects, seeking the return of her money based on fraud, negligent misrepresentation, promissory estoppel, and unjust enrichment.
 

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The European Droit de Suite - An EU Effort to Strengthen the US Contemporary Arts Market?

In 2001, the European Parliament passed Directive 2001/84/EG, which requires all EU Member States to incorporate a so called “Droit de Suite” into their respective national copyright law codes by December 31, 2009. A key goal of the Directive is to eliminate competitive barriers that existed in the contemporary and modern art market between Member States whose respective copyright laws had codified Droit de Suite decades ago (e.g.. France and Germany), and Member States whose respective copyright laws were silent on the principle (e.g. Great Britain, Austria, and the Netherlands).
 

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Art Insurance: Clean as a Rockwell

Defective art” is buzzing up the art scene, but not in that postmodern kind of way. This time, it’s not so cool. For instance, director Steven Spielberg recently dealt with defective title when he discovered that his Norman Rockwell painting, the Russian Schoolroom, had been stolen from a Missouri gallery 16 years earlier. Spielberg has since returned the painting to the FBI, where it sits in custody battle between two other alleged owners. Casino magnate Steve Wynn, on the other hand, accidentally poked the tip of his elbow into his 75-year old Picasso painting, La Reve, leaving the work in defective condition. Wynn had originally struck a deal to sell the painting for a record sum, but is now in court disputing issues concerning loss of value.
 

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