Untitled by Michael Goldberg, 1986 Oil and pastel on paper 29.25 x 27.75 inches
Spannocchia – NY XV by Michael Goldberg, 1986 Oil on canvas 79 x 79 inches
Spannocchia – NY IV by Michael Goldberg , 1986 Oil on canvas 86.5 x 85.5 inches
Untitled by Michael Goldberg, 1951-2 Oil on canvas 57 x 50.25 inchesAuthentication Board to Death by Lawsuits
By Lano Williams and Christine Steiner
The recent news that the Andy Warhol Art Authentication Board, Inc. will dissolve in early 2012 brings the role of authentication boards in the art world to the fore once again. The Board, which has been charged with authenticating the works of Andy Warhol since 1996, has been the subject of controversy, probably owing more to the nature of Andy Warhol's art-making process and his fame rather than anything the Board may have done. Warhol was famous for industrializing the art-making process, frequently directing others to execute works on his behalf. The question of what makes a Warhol is subjective and is open to changing interpretation as scholarship develops, as it involves current thinking on what steps of the art-making process the artist must control in order for a piece to be considered attributable to that artist. The Warhol market is also gargantuan. ArtTactic reports that his art accounted for 17% of contemporary art sales at auction in 2010 and 12% of the total contemporary art sold in the first decade of this century.
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