• Untitled by Michael Goldberg, 1986 Oil and pastel on paper 29.25 x 27.75 inches Untitled by Michael Goldberg, 1986 Oil and pastel on paper 29.25 x 27.75 inches
  • Spannocchia – NY XV by Michael Goldberg, 1986 Oil on canvas 79 x 79 inches Spannocchia – NY XV by Michael Goldberg, 1986 Oil on canvas 79 x 79 inches
  • Spannocchia – NY IV, 1986 Oil on canvas 86.5 x 85.5 inches Spannocchia – NY IV by Michael Goldberg , 1986 Oil on canvas 86.5 x 85.5 inches
  • Untitled by Michael Goldberg, 1951-2 Oil on canvas 57 x 50.25 inches Untitled by Michael Goldberg, 1951-2 Oil on canvas 57 x 50.25 inches

Collection of University Art Museum, CSULB. Gift of the Gordon F. Hampton Foundation, through Wesley G. Hampton, Roger K. Hampton, and Katharine H. Shenk

Art Law Gallery Resources

"When Art and Fashion Collide: Is it Art of Infringement? Enforcing Intellectual Property Rights in Light of the Growing Confluence of Art and Fashion", Presented by Theodore C. Max at Sheppard Mullin's Tenth Fashion Week Event.

Fine Art Prints in California: Having the Right Paper Matters

In recent years, the production of multiples from an original work of art, especially fine art prints, has become a major business in the art world.  What distinguishes a mere poster from a valuable, collectible, fine art print, is usually the scarcity and quality of the work in question. In other words, prints that are produced using high quality materials, hand signed by the artist, and sold in a limited edition are likely to be more collectible (and thus have higher resale values) than posters that are produced using low quality, inexpensive materials, unsigned by the artist, and ubiquitous.
 

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